Testimonials

“Thank you! Great notes, I’m working on the story to try to fix many of the issues you have mentioned. Nice to have someone call out the same issues that I thought the script had, just let’s me know that they really do need to be changed and it’s not me just being hard on myself. I also think there were some concepts that you missed, which makes me believe that I didn’t present them properly. Anyway, on to draft 2! Thanks!”

Keith Murphy, Screenwriter of Of Players and Pawns, 5/01/2012

“BIG THANKS! … I wrote this to 88 pages knowing that more was needed but was not quite sure what. I will now be able to trim, tie and weave these characters into a better product. Again, big thanks. Well worth the time and money. Regards, Vince”

Vincent Edghill, Screenwriter of Pleased to Meet You, 4/24/2012

“Thanks so much for the coverage. I’ve been struggling to figure out what does not feel quite right about the way my screenplay is put together. Excited to redraw this thing with your guys’ comments incorporated. They make a ton of sense to me. And not to beat a dead horse or anything, but I have paid people so much more than $59 to review my pages and basically got back formatting corrections and their opinion on how they would make a joke funnier. At this point I would have paid you guys $59 to just not do that. But not only did you not do that. You actually read the script and broke it down and made useful observations about what does and doesn’t work and why. Much thanks. Will definitely be back and will definitely recommend.”

Ted Hannon, Screenwriter of The Irish Patient, 4/19/2012

“Hi Brian – Thanks a lot for the wonderful coverage. Yes, friends do say that the script is wonderful because they see us slogging it out and all, and hence, never look at it objectively. Which you guys have done, and have given me the right pointers. I think I know where and how to take it from here. Soon, the revised draft shall be ready for your review again.”

Sagar Haveli, Screenwriter of A Ben Evans Film, 3/26/2012

“Just wanted to let you and your reader know how grateful I’m for the coverage. You guys did an amazing job and I’ll be referring you to all my filmmaker friends. Many Thanks.”

Guy Birtwhistle, Screenwriter of Demons Love London 2/25/2012

“Brian – Thank you so much to you and your team for the quick return on this script coverage (no kidding, right? less than 24hrs). The analysis is direct, concise, and very helpful!”

Warren Shiller, Screenwriter of Shift 2/1/2012

“Brian: I want to thank BK for the excellent evaluation.  I have written five scripts and have had many reviewed.  They all cost a lot more than $59 and most were not as specific. I have a romantic comedy that I will be sending you soon!  Thanks for a great service!”

Robert Styler, Screenwriter of Walk On Water 1/25/2012

“Hi Brian – Thank you very much for providing this coverage, it’s very thoughtful and extremely useful to myself and the writer at this stage in the process. Your reader quickly identified the themes we are aiming to explore in the piece and also highlighted the key narrative issues as well as suggesting areas of unexplored potential. All great! The cost effectiveness and speed of your service makes it extremely useful and I look forward to sending other scripts to you for coverage. All the best.”

“Your feedback not only highlighted key issues that needed to be fixed, but also helped me understand WHY they needed to be fixed and HOW I could fix them, thus empowering me to bring my script to the next level. Thanks so much and really looking forward to sending you more stuff in the future (which I will, no bullsh*t). You guys are really great, I got my money’s worth in a timely and professional manner…and then some.”

Radu Huciu, Screenwriter of Borderland 12/3/2011

“Although I was disappointed with the pass rating, the reader gave me some notes to help me make my screenplay better. I have some thinking to do about how to go about the changes. Overall, I think he may have liked my screenplay. He liked my tease, my characters and some of the scenes. I was impressed in how quickly I received my coverage. I was expecting it around Friday, but received it on Tuesday or Wednesday. I’m extremely impressed and I will come back to you for my future coverage needs. Thank you, you guys rock!”

Ronald Boyd, Screenwriter of Project Omega 12/2/2011

“I’ve shopped around and screenplay readers is the fastest, most courteous, cost effective coverage company yet. I was offered clear and professional guidance and assessment with prompt customer service. I HIGHLY recommend their services.”

Joletta Hardman, Writer of To Make This Land Our Own 11/9/2011

“Brian – Thanks very much for such a speedy response, and really helpful coverage.”

Chris Hutchins, Producer, Ashenglow Entertainment Ltd 11/4/2011

“Thank you Brian for the coverage. It was on target, informative and very helpful.”

Craig Hollenbeck, Screenwriter of Dying To Be Free, 10/11/11

“Brian, I want to thank you for the great coverage suggestions. They have really improved my scripts. An agent commented on how much my writing had improved. She saw the original draft and the latest revision draft of Weekend Dad. I’m going to go through my scripts one by one with your service until they are market ready.”

Barbara Jackson, Screenwriter of Weekend Dad, 9/23/11

“Hi Brian, thanks for the coverage! Believe it or not, every doubt I had about the script was in the reader’s coverage. Very helpful!”

Derek Rushlow, Screenwriter of Star Struck, 8/19/11

“Thanks Brian. Very helpful. Gives me the ammunition to turn this rough draft into a decent (hopefully) first draft. The turnaround time is SO helpful. Great service.”

Ricki Holmes, Screenwriter of Pawns of War and 2010 Nicholl Quarter-Finalist, 8/18/11

“Brian, Thank you so much! Your readers are WONDERFUL and know their stuff! This process is so subjective and although one reader did not agree with two others on an important part, it prepares me for the subjectivity of the industry. I have a lot of work ahead of me with the next rewrite but I am excited to have such valuable direction!”

Randa Johnson, Screenwriter of Meek, 8/18/11

“All your readers provided excellent suggestions and I want to thank them for their comments. I can’t imagine how many scripts they have to read and then provide coverage in such a short period of time. But it is obvious they thoroughly read the script and understood the story I was trying to tell. The coverages will certainly help me tighten up the script and I appreciate their talent.”

William Johnston, Screenwriter of Requited, 6/16/11

“Excellent coverage. It was beyond helpful. Thank you.”

David Glick, Screenwriter of Catskill Project 6/17/11

“Thanks a lot. These three are all very well articulated. I look forward to using you guys for more reads in the future. This is an early draft which we already had a plan on how to improve, but the coverage definitely hit on issues we hadn’t considered yet. Great work.”

Jonathan Pezza, Screenwriter of A Brotherhood of Chivalry, 6/10/11

“To Brian of Screenplay Readers: I just wanted to express my appreciation for the fast turnaround on the coverage I ordered. I actually find it quite it quite remarkable. Incredible even. In the past, when I have ordered from other companies, the turnaround has been almost a month in some cases, which makes your usual 72 hour turnaround impressive, but I think the turnaround in this instance was just over 12 hours. 12 hours. Incredible.

I placed the order a few hours before retiring for the night, and had received the coverage when I checked my emails in the morning – it’s like I literally ordered, went to bed, woke up with coverage. At first it made me doubt the quality of the coverage, assuming the reader had rushed through it, but on closer inspection the reader clearly followed the script closely, picking up every minor spelling error and addressing all the issues with the story, providing your typical high standard of coverage. Bravo.

I have been consistently impressed by this company in the past, and now you’ve raised the bar.”

Andrew Jellis, Screenwriter of Kira 4/28/11

“Hi Brian! Thank you for the notes. I was impressed how accurate the reading of the screenplay was given the quick turnaround. It was good to read the notes. The comments were quite in line with the other feedback I had received from the few peers and professionals who read the script. I think getting coverage is a good tool to devise your rewrite/marketing strategy. Good to know that there is an affordable, professional and reliable service out there.”

Pedram Dahl, Screenwriter of Enemies of The Human Heart, 5/11/11

“Thank you for the quick turnaround and great suggestions. You guys and gals rock so hard!”

Justin Smith, Screenwriter of Untitled Castle Spec 4/25/11

“Your reader TZ was simply terrific. I don’t just say this because they me a “consider” (The same reader passed on my last screenplay) but because they’re extremely thorough. They clearly read the entire script, looked for subplots and subtext, and recognized themes, set ups, and key pieces of dialogue. I have used many readers in the past not only for my work, but for screenplays submitted to my production company for consideration, and I find TZ’s summaries and comments to be a notch above the pack.”

RB, Screenwriter of Rocket’s Red Glare 4/20/11

“The script notes are excellent and exactly what we needed. Thanks for the great service!”

Andrew Eckblad, Screenwriter of The Method 4/18/11

“I am going to rework my script to make it more interesting and work on the development of the characters. I really, truly appreciate the honest read, feedback, and the coverage in general. It will be a tremendous help to my writing process.”

Tye Green, Screenwriter of PreDestined 4/15/11

“I found all three versions of coverage you sent us very useful, especially this last one.

Honestly, waiting for this last coverage you just sent was well worth it. The reader nailed their points and offered very viable solutions, which is something coverage doesn’t always do. It’s easy to tear down but much more difficult to both critique and help a writer see some ways out of current issues in a way that is at once blunt, clear and constructive. It is in all respects exactly what was needed, reminding me of the project’s merits that are sometimes easy to forget in the notes process and in some cases reminding me of weaknesses I had seen marginally and not really focused in on but that are now much clearer.

Please pass on kudos to all three readers but to this last reader especially, as I found this last batch of notes, synopsis and even log line to be the most creative and insightful I have yet received on this project. (and yours was not the only company I’ve tried my hand at coverage with.) You obviously have some creative filmmakers in their own right working with you.

In all, the value I received from your three readers far surpasses value for other coverage I’ve received and I’m grateful I was pointed to your site.”

Lance Mungia, Screenwriter of Carwasher and writer-director of Six-String Samurai and The Crow: Wicked Prayer2/13/11

“I don’t where to begin. Thanks so much! The feedback was the perfect blend of things that I need to work on and reinforcement of what works. I could not have been happier and it is much appreciated!”

Dylan Brod, Screenwriter of Bounty 2/8/11

“Thank you for this incredible service! And please send your three readers my thanks. Each review was helpful. I know how time consuming these critiques can be and I appreciate the effort.”

Dawn Marie Guernsey, Screenwriter of The Basement 2/4/11

“Thanks to AG and your screenplay service team. Your coverage report feedback was brutally frank and correct and actionable. I was disappointed in my efforts, but very encouraged by the roadmap provided in your analysis. You have confirmed my ambition to continue to write screenplays, and to manage the transition from playwrighting to screenwriting.

You have provided very specific and detailed opportunities on how to rewrite and fix the screenplay, so at least there is a chance for it to be considered, assuming I can demonstrate the craft and creative skills you have challenged me to consider.

Also, you have provided a “screenplay 101″ on many aspects of the craft of screenwriting that either escaped me or I did not effectively understand. I certainly will use your services again, and am impressed by the quick turn around and the wealth of information you provided. “

Richard Nannariello, Screenwriter of Catching Carp 1/21/11

“I would like to thank you for the invaluable feedback and coverage you provided for my screenplay. It was well organized, objective, and approached with a fresh pair of eyes, which is exactly what it needed. This is the first time I have gotten any of my scripts covered and I’m glad I did. Any serious writer needs coverage like this to evaluate where their material stands in such a tight and highly competitive business. I will definitely consider you for the future.”

Daniel Duane, Screenwriter of Rising Parallels 9/13/10

“Great notes! Thank you so much! I will be back after the next draft…”

Scott Clevely, Producer of Wicked Wheels 9/6/2010

“THANK YOU!!!!!! This is my very first screenplay and I am proud of that accomplishment. Whew! The comments were very direct and to the point and that is what I like. How else would I know what to improve on? Now, back to the writing board and I look forward utilizing more of your services soon.”

Veetra King, Screenwriter of Corrupted Hearts 9/9/2010

“Hi Brian. Thanks so much for the spot-on and speedy screenplay coverage! Your recommendations will guide us through our next rewrite.”

David Sheppard and Margie Baker, Screenwriters of Hip Flop 6/15/2010

“Brian – I read through the coverage and found it very insightful. You guys did a great job of shedding light on certain aspects of the script. The wheels are turning in my head and I can’t wait to take the script to the next level. I will definitely consider using your service in the future and will recommend it to friends. Have a great weekend!”

Rolando Vinas, Screenwriter of Looking For Libra 6/11/2010

“Wow! Great input and perspectives! Thank you (I have lots to think about now) I’ll definitely use you guys again! Thanks!”

Kenlon Clark, Screenwriter of Dungeons and Dragnet 6/9/2010

“I wanted to thank you for the fast turnaround and excellent coverage that I got on my script. Your service is fairly priced and you deliver what you say.”

Jim Henry, Screenwriter of The Cool Dark Forever 6/8/2010

“Thanks to EA, PP and CE for their concise comments and suggestions. This will really help me pinpoint the weak and strong points in the script and to know what to do to fix it. Thanks so much!”

Dave Beaty and Bill Davis, Screenwriters of Dancing On The Mother Road 6/7/2010

“Thanks for the excellent report; clear, concise and critically constructive. I’m certain I’ll be using Screenplay Readers a lot.”

Joseph Williamson, Screenwriter of Eden 6/7/2010

“Just wanted to say thanks for the very quick turnaround. Please pass along my thanks to TZ for a spot-on analysis.”

Bill Stephens, Writer of Non Official Cover 5/27/2010

“Dear Brian – Please thank whoever analyst FK3 is for me; they really made me see things I was oblivious to and which friends either didn’t or wouldn’t point out in the script. I wish I had submitted this to you when I had the first draft written as opposed to after I took on board notes that made things even more convoluted. These notes really opened my eyes to problems within the script and (I hope) will help me fix them when I pick up the project again. In the meantime I am going to shift gears from writing the script for another project and work up a treatment for it to send you folks to review. If I can nip these problems in the bud I will be able to write a more produce-able piece from the get go. Thank you again!”

Michael Winter, Writer of The Key 5/20/2010

“Nice. A day earlier than expected. I really enjoyed reading the coverage of PP for my script, Dirty Pueblo. It was concise and some of the suggestions were dead on. I look forward to continuing this productive relationship once I work on it. Thank you.”

Djon Sende, Writer of Dirty Pueblo 5/11/10

“Hi Brian/Screenplay Readers – Your comments regarding my script were very insightful and helpful! It was very apparent that you read it in it’s entirety & I’m very appreciative. I’ll get busy on my ‘millionth’ re-write contrary to your PC-thoughts that it was an early draft – smile! Thank you for your quick turn-around. See you @ the movies!”

Cheryl Mitchell Wade, Screenwriter of At Your Own Risk 5/5/2010

“I just had three readers read my script. Thanks for your help. What a great service you guys provide. I had some really good feed back. All three readers found the same problems. This means they were problems:)!!! Thanks again for your service. I will be using you again for sure!!!!”

Neil Vanscoy, Screenwriter of Soul: Battle in Purgatory 5/3/10

“I’ve paid three times as much for “name” coverage that wasn’t half as legit or useful. Instead of just giving you guys a generic thumbs-up, let me tell you exactly why I consider this coverage excellent:

1. It’s obvious from the length and detail of the near-treatment-length synopsis that the analyst actually read the WHOLE script.

2. I can tell where every single problem is, based strictly upon the gap between my intention and the reader’s apprehension. Most of the time in my experience, that gap has been the result of a half-ass, income-driven, rushing analyst.

3. There was no evidence of the reader conflating their personal narrative taste, or genre bias, with my supposed lack of craft (e.g., “I hate supernatural thrillers” = “This writer sucks”).

4. The reader caught one particular typo that I would have NEVER caught, because actually, it wasn’t a typo. It was grammatical ignorance. Which means the reader might be smarter than me. I’m arrogant enough to find that stunning in a reader!

5. The turnaround was super-fast! The reader not only read the script, but typed up a 6-page, no-fluff document about the script, in 2 days. I presume you are aware that the turnaround in your business ranges anywhere from 7 days to 3 weeks.

6. The notes agree with mine; I did my own pseudo-objective coverage to see how my critical impressions matched with others.

7. No snarky, a**hole-mogul, Simon-Cowell tone, used as a smoke screen to mask the reader’s lack of anything substantive to communicate. I much prefer “The dialogue is unremarkable,” to “go learn how to write dialogue.” The reader was frank without being insulting.

8. Honestly, I expected the coverage to be worthless, due to ideas like “you get what you pay for,” the lack of name-dropping on your site, and the lack of affiliation with some major screenplay industry brand. I just reasoned, at $60, I’d take the risk. If I got burned I just wouldn’t be back. Well, I’ll be back. Don’t know how long the company will be able to keep costs down, but even if they rise to current market yield, I’ll still do business over here.”

Steve Burks, Screenwriter of The Invisible War 4/2/10

“Thank you Brian. That was fantastic coverage. All of your notes were spot on. And thank you for doing it so quickly.”

Anthony Lucero, Screenwriter of East Side Sushi 4/3/10

“Thanks for the prompt response. You raise a lot of valid points. Back to the drawing board!”

Michael Milne, Screenwriter of The Loneliest Road 4/1/10

“Brian, thanks so much for the super fast coverage! You made a lot of great points and echoed some of the concerns we have had about the script. Thanks again. We will definitely be using your services again.”

Jay & Tiffany Donaldson, Screenwriters of Wrecked 3/30/10

“Excellent, LG (reader) . You really took the time to look at it closely. You have given me some ideas for rewriting. I just hope I have the ability to do so effectively. This is my first shot at a script.”

Dan Sanders, Screenwriter of Wolf Hunters 3/26/10

“Thank you for providing coverage on my screenplay. I must admit that it was 100% brutally honest like you state. Still, I’m glad I ordered it because I’ve learned from it that my writing isn’t Zeus and knowing where my problems are now, I can fix them.”

Maurice Vaughan, Screenwriter of Load 3/20/10

“Thank you so much for reading the screenplay! I am on it like white on rice – doing everything you said. Funny how when I write it, I understand ALL the back story and motivations.”

Karen Kevorkian, Screenwriter of Trophy Wife Dot Con 3/11/10

“Thanks for the great coverage! Yep, this poor little script needs a good rewrite, that’s for sure. But thanks to the comments, I have already started to scetch out the second draft revisions. once again, thanks for the great work!”

Chris Okey, Screenwriter of Of Heroes and Their Lovers 01/23/10

“Thank you very much for your feedback. It arrived promptly (within 48 hours) and demonstrated a thorough understanding of the script that I wrote. Your comments are helpful. I had some of the same concerns as the ones you mentioned, only I wasn’t sure to what degree or even if they were a problem. You clarified my thinking on these. In short, I highly recommend your service and I would use it again. You have helped to make my script better.”

Scott McKinstry, Screenwriter of Friended 01/18/10

“First, I can’t believe the quick turn-around. But more importantly, a superb quality assessment. Job well done. Logline and synopsis were spot on. Thanks again for your great service.”

Bill Morales, Screenwriter of Elena’s Fire 12/17/09

“Thank you so much for the quick turnaround time! Even though I received a pass (ughhh) I was actually pleased with what the reader touched upon. Every place I had questioned myself was brought to light. I started re working the script ten minutes after reading the comments. I have to say that I have never felt more encouraged because the feedback was extremely positive and upbeat. Thanks to (reader) EW. I will be resubmitting the corrections as soon as I have worked this all out.”

Tracey Noonan, Screenwriter of LT 12/5/09

“Thanks once again for your great coverage of my recently submitted script, The Rendering. Simply put – you guys provide an incredible service! I submitted the first script I wrote to your site earlier this year for coverage. The coverage and hard hitting, honest comments I received from Screenplay Readers were ‘dead on’ and provided me what was needed to conduct rewrites that strengthened the work such that the script finished in the top 20 of over 2,000 script submissions in the 2009 Screen Writing Expo script writing contest. I am a believer. I am now a loyal customer of Screenplay Readers. I look forward to your continued professionalism, affordable and expedient turnaround as I continue to pursue my screen writing career.”

Terrence “Ty” Manns, Screenwriter of The Rendering 12/1/09

“It was worth the wait. I am as happy as a pig in mud with my ‘Consider’ and will make changes accordingly. I will definitely use you guys again!”

Jotham Kingston, Screenwriter of The Engine 11/30/09

“Thanks very much. This was just what we needed. Many thanks for your speedy turnaround.”

Soraya Chemaly, Screenwriter of Fake Momma 11/8/09

“Thanks Brian. The coverage was great! The notes were exceptional. The reader gave me a lot of ideas (and suggestions) of the changes I need to make. Feedback is sometimes tough to swallow, but the key is to sift through it and know how to make the script better. I’ve used about 6 different coverage services, and you guys, by far, have the best notes I have received. Between the cost, and turnaround time, and the quality of thought put into the notes, it makes me look at the story differently so I know what direction to head into. You definitely have my business after my rewrites are done!”

Tim Earnheart, Screenwriter of The Exec 10/22/09

“Thank you for the prompt response, and the coverage as well. It is good to know issues that I need to work on. I appreciate your service and honesty.”

Eric Hammeren, Screenwriter of Clone 10/19/09

“Thanks for your speedy and thorough reader’s report. It hits all the major points that need to be addressed. I would recommend your services and will probably use them again myself.”

Phil Travis, Screenwriter of Hank 10/9/09

“I was very satisfied with your service, the turnaround and ease of use, and I would use it again.”

Richard Turgeon, Screenwriter of Wunderkinds 9/20/09

“Thanks again for your incredibly in depth, fast, and painfully truthful service. I will take all the advice your reader has given me and integrate it into my script, and send it back to you when I feel masochistic again.”

Barry Haims, Screenwriter of Enter 9/19/09

“Hi Brian. I just wanted to say thanks very much for this service… I was really pleased with the feedback, this is the first time I used a reader service and was thinking of not pursuing writing, but with the honest critique and positive comments, its really given me a boost, (the reader) eally understood what I was trying to show with symbolism character and dialogue. I’ve been on a high all day.”

Dom Farelli, Screenwriter of Quarter Life Crisis 8/13/2009

“Just a quick hello and say Thank You to your team of script coverage people…both did a very good and thorough job on covering our script. They both had very good comments and suggestions for our Screenplay.”

Marco Kujovic, Screenwriter of Maybe This Time, I’ll Win 8/4/2009

“Dear Brian, I’ve just received your coverage for my screenplay and was just writing to let you know how impressed I was with your service. The comments provided gave an excellent insight to the weak areas of my script and were so constructive that I don’t think I’ve ever been so happy to receive a pass on my script! Needless to say I will be recommending your service and look forward to dealing with you again. Thanks, Shane”

Shane O’Sullivan, Screenwriter of Emily 7/24/2009

“What wonderful coverage! Thanks so much for the time you and your team put into evaluating the script. I will begin a second draft right away.”

T. Kendall, Screenwriter of Georgia Skies 7/22/2009

“Dear Brian – Thanks for your no-holds-barred coverage of my script, The DeMille Conspiracy. I appreciate the brutal honesty and on point analysis, particularly in regard to character development and throughline. Your reader’s critique helped me to take a fresh look at the script with an eye toward strengthening the entire story. I am now sending you my next script, The Smiley Face Killers and looking forward to your prompt and detailed service.”

R. Hammond, Screenwriter of The DeMille Conspiracy 7/16/2009

“Brian – Got the coverage I ordered today. Thanks so much! You really deliver a TON for your cost – it’s almost ridiculous. My first gig in the business was working as a reader years ago and my rate was a penny more than what you’re charging! At any rate, I really can’t thank you and your reader enough for the fine work. The coverage was informative in both the synopsis (it’s always interesting to see what comes across as important) and in the notes (the criticisms in which are all well-founded and helpful). Please pass along my gratitude.”

Alex Greenfield, Screenwriter of The Seven Wonders of A. Henry Cohen 7/15/2009

“Very constructive critique that I can pull from for the rewrite… Ultimately I am happy with the service and will use you again!”

W. Jordan, Screenwriter of A Rose Given 7/12/2009

“Thank you, Brian. Great insights that I had (obviously) overlooked. You’ve given me clarity in how to approach the next draft. I will use your service again when my latest work-in-progress is completed. Great value and worth the extra wait.”

Tracy S. Williams, Screenwriter of The Hole

“Thanks very much for the great writeup on my screenplay. As a screenwriter, it’s so hard to find people to review my screenplays that actually ‘Get it’ and can provide constructive criticism. Thanks again for all of your help.”

Jackie L. Young, Screenwriter of Southern Fried Yankees

“Thanks so much Brian. This is the first time we’ve used your service… and the coverage is really great – exceptionally well thought out and detailed; I am sure that Carl will appreciate it. Thanks again.”

Amelie de Richemont, for Carl Van Dekker, Screenwriter of Under the Fence

“Your coverage and comments were very insightful and truly helpful. Thank you!”

Adolphus Thomas, Screenwriter of Magic City

“Thank you very much. Your suggestions basically brought to light every question I had about the script. These notes will make the story and characters MUCH better. Thanks again, I will definitely use your service again when I write another script.”

Jake Craney, Screenwriter of Zenna

“Very insightful and helpful notes! Thanks so much, Brian!”

David Alvarez, Screenwriter of The Lives of Riley

“Thank you very much for your coverage. Without the first go around the script wouldn’t be what it is today. You guys are awesome.”

J. Valentine, Screenwriter of The Age of Reason

“Thank you for your coverage of The Blues. I was impressed by your insights and agree with the changes and additions that need to be made.”

David McPete, Screenwriter of The Blues

“Thanks so much for an excellent coverage, I fully support what you have said here, being too close means you tend to brush over this stuff. You have nailed where it works and where it goes wrong and given me a lot of work which is why I sent it in the first place. Nice one.”

Kyle Portbury, Screenwriter of On The Right Hand

“Thanks for the coverage. They are useful. Some surprises, and much food for thought!”

J. Bassat, Screenwriter of Somersaulting Over New York

“Thank you so much for the quick turnaround, while also being the most helpful coverage I’ve received on the project thus far. I will DEFINITELY be using your service for all of my coverage needs from now on. So glad I found you guys.”

K. Macy, Screenwriter of 24 Hour Jim

“Wow! You guys are fast. Thanks for the very thorough coverage! Things usually come together on the seventh draft for me so at least I know I’m headed in the right direction. Please thank your reader for all of the notes and suggestions. I will definitely recommend you guys and use you again.”

M. Sheetz, Screenwriter of Trouble In Cootieville

“Thanks so much for the prompt response. I can’t wait to begin a rewrite. As a first time Screenwriter I appreciate this feedback more than you can imagine.”

Peter Hoare, Screenwriter of Killing John Stamos

“As this is my first real script I’ve written, I could not have been more pleased with the feedback I received. I’ll be sure to mention your company to everyone at my writing group. It really helped me pinpoint some key areas to focus on with my script and I even decided to change the focus from the male lead to the female lead to make the story more coherent. I just wanted to let you know I greatly appreciated all your notes and will be a loyal customer for all my future scripts.”

Katie Ostreko, Screenwriter of Alone in a Crowd

“This was very helpful, especially the one who gave it a ‘Consider.’ I think the reader had some great suggestions that were specific and gave me new ideas about the script. The other one was good too, but not quite as specific and was a little harder to apply. All in all, though, this was very positive and I’m eager to get working again.”

Mark Littleton, Screenwriter of The Menopause Ladies Team

“Just wanted to thank you for FABULOUS suggestions for improvement — very well received. I will certainly incorporate the analysis into my revised draft. Please pass my sincerest thanks to the reader.”

Frank Neuschaefer, Screenwriter of Ike Murray Construction

“Great coverage! Thanks for your notes. The script will only get better.”

J. Valentine, Screenwriter of The Age of Reason

“Wow that was awesome of you guys. I was putting it out there for some general opinions on the story to see if it was something I wanted to really put some time into. I have a lot of work and research to do but now I’m inspired! Thanks again for the great help.”

Brandon Clark, Screenwriter of Unconditional

“You guys are absolutely great. Yeah, exactly what I needed. Please tell your reader it’s a great job, and I hugely appreciate the fast turnaround. Thanks very, very much.” Dan M., Screenwriter of (Untitled)

“Your feedback is PERFECT, exactly want I need for a re-write, I knew it needed work, but couldn’t get adequate feedback. Will definitely use your service again.”

Jennifer Harper, Screenwriter of Deacon Holmes

“You guys were awesome. Your coverage was spot on. When you’re personally so close to the story you miss the details. In your case you spotted everything. Thanks for such a great job on this. I will be telling everyone to use your services.”

Bill Stephens, Screenwriter of Last Man Out

“I’ve had a quick read of my feedback. I agree with nearly all of it, some of which I sorta already knew in the back of my mind.”

Fox Bronte, Screenwriter of Simulcrum

“Thanks for helping me make SCARS the best it can be. Your professional opinion was well recieved. Thanks for your ideas. In the back of my mind I was thinking along those same lines.”

Johnny Russell, Screenwriter of Scars

“Quick turn around, fair price and helpful notes.”

Tanya Farouki, Screenwriter of Out of Order

“Just did a quick read of the script analysis. Tell the reader it is well done, and gives me some excellent points to work on for the rewrite.”

Michael Rome, Screenwriter of Ms. Right

“I just wanted to thank you for the great coverages I received. As a first-time screenwriter, it was great to learn what is really expected from professionals. It was the sort of feedback and information I could never get from a hundred books. I’m sure I’ll be using you again in the near future.”

T.H. Archer, Screenwriter of Frank & Frivolous

“Your reader’s script notes are some of the best money I’ve ever invested!”

Doug Slocum, Screenwriter of Psuedonym

“Thank you for the excellent and thorough review. I agree with most of the observations and will re-evaluate my screenplay them in mind.”

Shawn Harris, Screenwriter of ICE

“You guys offer a great service which we intend to invest in again.”

Barry Finch, Phillip Tan, & Cody Greenley, Screenwriters of Fighting Doc Jones

“The analysis I got from Screenplay Readers has been invaluable. I greatly appreciate it.”

Perry Shumway, Screenwriter of Problem of Evil

“This is my first ever screenplay, so I was happy to get the constructive criticism.”

Jon Lee Brody, Screenwriter of The Crow: Vindication

“I found the notes helpful in catalyzing a revision to the work.”

Chris Osman, Screenwriter of It Spread

“Many thanks to you and your reader E.W. for a lightning-fast turnaround!”

David Webster, Screenwriter of Lost At Sea

“I’ll definitely use your service for the other script I recently completed. Thanks for the quick turnaround as well.”

Liz McCarthy, Screenwriter of Bump

“Nice job. I’ll be using you guys in the future. Thanks again.” Emo Fonseca, Screenwriter of The Great Kill

“Thanks for always doing right by my clients. Sometimes it’s a momentary ‘owy’ for them… but it sure helps show them where they need to spackle and caulk…”

Babz Bitela, VP, Ed Silver Agency

“Your script feedback is great, and I’ve had a lot, believe me. The price, the time it takes and what you get is worth every penny.”

Jonathan Harnisch, Screenwriter of Angst and Of Crime and Passion

“This is very good script coverage for the price. It was very detailed.”

Crystal Stevens, Screenwriter of Organized Criminal

“Thanks for the fast turnaround, I’ll be sending you a few additional scripts soon.”

Alyssa Black, Producer of Trust The Men

“As a former freelance reader myself, I just wanted to say how impressed I am by the professional feedback delivered with such a quick turnaround and for an affordable price. The broke and budding screenwriters of the world are indeed lucky you exist.”

Claire Ince, Screenwriter of Tender Trap

“The reader’s comments were very helpful. I’m glad to have gotten objective and constructive script feedback.”

Cesar Garza, Screenwriter of The Evengale

“The feedback is great.. I agree with them completely, good help! We will get started on improving it right away. Thanks again.”

Joe Herbert, Screenwriter of Taken

“I broke more than I fixed in this draft, but overall I am happy with the script notes. The reader gives possible script fixes for the problems which is helpful. The scope of the story is a bit ambitious, but I think that I can still pull it off. I’ve got tough skin, so I don’t take this stuff personally. The more criticism and script feedback, the better.” Shawn Boxe, Screenwriter of Lovecorp

“I’ll definitely recommend your services.”

Tony Zavaleta, Screenwriter of Iron Horses