Animation Screenplay Consulting

Steven Darancette answers a few common questions about animation screenwriting:

I want to break into animation writing, but have no idea how to do it, what should I do?

First thing you have to be sure about is that if animation writing something you really want to do, because, just like with anything that requires expertise, you’ll have to have focus and passion. Learn the format, read animation screenplay examples. And watch animation, watch cartoons. Hey, you can always tell your friends and family that watching SpongeBob is serious work research. Once you think you’ve got a handle on this writing thing, then start looking for animation writing work. I feel that that last part is the hardest part.

Is there room in the market for independent, non-studio animated features?

Feature animated films are very expensive and require years of development. That’s why the studios currently dominate this format. If you check there are only like four studios making big animated features shown in theaters (Pixar/Disney, Dreamworks, Fox, Sony Pictures Animation, Universal). That said, there are some independent animated features being made but they are financed usually by overseas entities that find their own production houses overseas to make them, then they have to find distributors. As technology improves and become more affordable every year, you’ll start seeing more and more indie animation.

When you work with a screenwriter to develop an animated series or even non-animated series, what are the most frustrating errors you see them make?

I get frustrated when I see that they haven’t bothered to do their homework on simple things, for example, in terms of the different formatting that animated scripts require as opposed to features and other kinds of TV scripts. Feature animation scripts aren’t really too different from live-action features. But in TV animation writing, daytime kids stuff and boys action, especially, there is a difference in the way the action is presented. It’s more detailed and often includes cues for sound effects. So if you think you want to write a Batman animation screenplay, be sure to read one thoroughly and learn the format. Format shouldn’t be the first thing I find wrong with your script when you submit it.

How selective are you when working with clients for your animation screenplay consulting service?

I don’t normally turn anyone down if they are seeking my expertise specifically. I haven’t yet had a situation where I just had to say, “Look, this project is terrible, you’re a terrible animation writer. Please seek help elsewhere.” But it’s a joy and a breeze to work with someone who knows what he or she wants, but who is also willing to listen and take my advice to heart. If I take the time to really create insightful and constructive criticism for your project as well as provide solutions to what’s not working, that’s a good thing.

What animation screenwriting resources do you recommend?

I like Script Magazine, even though it’s not purely focused on animation writing. If you want a good focus on animation writing, visit animationmagazine.net or Animation World Network. Cynopsis is a daily industry newsletter and Cynopsis Kids usually has reports on what children’s or animated series are starting production. All are good ways to track trends and possible job leads in the animation screenwriting world.