As I look on the works of Hollywood, (ye mighty and despair), I can’t help but weep, and I can’t help but laugh. Because from where I sit at my ergonomic standing desk, screenwriting appears to be simultaneously dying, yet thriving. Studios are no longer in the business of making original motion pictures If you’re like … Read more
With all screenwriters, it happens sooner or later. Eventually, we all get into fights with producers. Creative, financial, it doesn’t matter – if you’re writing screenplays, and you’re at all successful in getting one of your scripts into any sort of development or production pipeline, you’re going to have a fight with a producer. At … Read more
Here are the Screenplay Readers Top 6 most important things for us screenwriters to remember when “getting into bed” with any indie producer. And by the way, some of the rules may even apply to studio producers in some instances, so it’s good to keep all of these in your toolbox when considering any deal for your screenwriting services.
If you’re lucky/skilled/badass enough to have one of your screenplays optioned/bought and kicked into production, and if they’ve invited you to be a part of the experience of filming it, you might want to keep in mind, matey, the fact that thar be only a few things an on-set screenwriter is expected to actually, well, do.
I’ve written 5 features that have gotten made into films, and have been compensated as a screenwriter on all of them, even if it was just a small amount of cash, or even just a net points deal (a percentage of the revenue after the film makes its money back). I know too many screenwriters that … Read more