Free Script Feedback: When a script’s opening epigraph goes bad…

Today’s free script feedback is for the screenplay God’s Gift by Mark Jason Kemp

Read the pages here.

This epigraph is too cluttered on page 1.

FADE IN:

TITLE: (WHITE ON BLACK)

“Those to whom evil is done, do evil in return”
W.H. Auden

FADE TO BLACK.

FADE IN:

TITLE: (WHITE ON BLACK)

“BASED ON A TRUE STORY”.

DISSOLVE TO:

Just write it like this:

BLACK:

“Those to whom evil is done, do evil in return.”
W.H. Auden

FADE IN:

EXT. COUNTRY LANE – NIGHT

No need for Based On A True Story, etc. etc.

Another fix:

Up above, a redundant felt tree dances feverishly beneath the mirror, perhaps reminiscing on days when it too was fresh.

If the tree is redundant, lose it.  If it has to be there, then be clear what it is, e.g.:

A TREE-SHAPED AIR FRESHENER dangles below the mirror.

The series of shots paints the scene well.

He then opens the door and lets out the MUSIC, like bats from a cave.

I’m finally in.

Your the second c*nt…

You’re the second c*nt

With this next chunk of text, you’re knocking me out of the story.  Here I am, in and engaged, and then you smack me in the head with this:

12ft banner framed with wind-tossed balloons, it reads;

“** EIGHTEEN MONTHS LATER **”.

[*Note: Similar, subliminal time-line indicators shall be used throughout the film, rather than title-cards, although, short lapses in time will be indicated by a;“FADE TO BLACK”].

Simplify it like this:

A 12-foot banner with balloons reads “EIGHTEEN MONTHS LATER”

We’ll get it.  Especially when we start to see it’s how you demonstrate time passing in this particular script.

[*Note: The camera is housed inside].

No camera directions unless absolutely vital to our understanding something super important.

Reaching in he grabs the milk and then walks away leaving the door and the scene, wide open. 

Can he grab the milk without reaching in?

He grabs the milk and walks away, leaving it open.

You’ve got a voice and an interesting story and characters.  Your biggest problem now is really basic stuff, like punctuation, spelling, formatting, and knowing when to get the hell out of the way as a writer.

Pare down where you can, fix all the punctuation/spelling/usage errors, and then really go back and make your action/descriptive text more elegant.  (Stuff like talking to the reader about how you’re going to show the passage of time, music, etc.)

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