A quick heads up: a few years after this article was written, an online screenwriting platform, Screencraft’s Scripped.com, basically lost all their users’ data and scripts. Almost immediately, Screencraft deleted all social media and the Scripped website.
What’s more, at some point before they took Scripped offline, Screencraft, (the owner of Scripped as well as Coverfly, WeScreenplay, The ScriptLab, Launch Pad, Done Deal, and The Tracking Board and many other brands), made an arrangement with a similar online writing app, called Writer Duet (the app being reviewed in this article). Read the detailed Reddit exchange here if you’d like more information on the debacle.
And now, the original article, published before Screencraft lost all their customers’ scripts on Scripped and apparently left WriterDuet to pick up the pieces:
Today I jumped into a new online screenwriting app called Writer Duet. It’s main feature is that two or more screenwriters can log in to Writer Duet, for free, and edit the same exact script on the screen, in real-time, as each single character is typed by each of the writers.
But while punching in a test script, it occurred to me that this webapp was not just a collaboration suite. It’s a pretty nice little screenwriting software package for single writers as well, and with future development may even prove a viable Movie Magic Screenwriter alternative.
Collaboration in Real Time
The collaboration part works pretty well. Nothing like having my writing partner jump in and be editing one part of a page while I’m typing in the next, again, in real time. And the two writers don’t even have to be on the same page. I could be on page 10, and my partner on page 1. Whatever revisions he makes, I’ll see in a little red highlight box when I scroll up to that page, and the same for him regarding my revisions.
To get my partner to join, it was a simple click. I then entered his name and email and an optional note, and poof. Writer Duet invited him, and within a few minutes, he was in.
Also, you can tell when your partner has the open script you’re working on as his active window. Anybody clicked into the script (as opposed, to say, having the window open, but clicking inside your email program elsewhere on your desktop screen), shows up with a GREEN icon next to their name. Anybody not clicked in, the icon is red. I know, little stuff, but immensely cool.
Fairly Responsive and Intuitive
Writer Duet’s responsiveness was nice and, and its key commands were fairly intuitive (tabbing to select among character, parentheticals, dialogue, etc.).
When on a line and I tab, it cycles through SLUG (Writer Duet calls it SCENE), ACTION, and CHARACTER. So the formatting of the line I’m on is determined by whenever I stop tabbing, just like many popular offline screenwriting programs.
What’s more, I intuitively hit APPLE-S to save my work, and, yep, it saved. As simple as that sounds, it’s not that common, even now in the 21st century, to find a screenwriting webapp that responds to keystrokes, let alone combo keystrokes. And it turns out, it’s not even necessary, because every change is instantly saved automatically (with a full history so you can always see the older versions). The Command-S archives a backup copy on WriterDuet’s servers, and lets you tag a revision for future reference. But going back to keystrokes, they also work to bold and italicize stuff, just like a real live word processor.
And also, when switching to Dual Dialogue mode (which, yes, it has, while many screenwriter software packages don’t), I found that Command plus an arrow key got me back and forth between the two talking characters with ease. I didn’t look that up in the docs; I just tried it, and it worked. When software responds like this, especially a webapp, you know the designers have put in some thought.
Mouseovers and Contextual Help
The last big cool feature I really dig about WriterDuet is its plethora of mouseover tips. Mouseover a certain icon or command and it tells you not only what it does, but in some cases tells you how to do it in the most professional manner.
For example, clicking on the Format tab up top takes you to this screen:
It’s not only a guide of how to format your screenplay, but tips peppered through the documentation on how to write more professionally and presentably.
Stuff I Didn’t Like
Some of the minor things I could live without, but other folks might find cool include the video chat via the 3rd party video chat provider TokBox and the built-in music player. If you’re gonna viddy with a collaborator, Skype or Facetime already handle that extremely well, and Tokbox seems rather clunky. And as for a music player, who needs one in a screenwriting program when most modern OS’s have them built in?
Another thing that seemed unnecessary was the ability to have your script read by computer actors OR real actors via a separate integrated interface. I’m a bit old school, so the reading out loud thing doesn’t appeal to me, and again, borders on mission creep/software bloat, but I can see how it might appeal to other screenwriters.
PDF export, scene numbering, scene navigation, import/export from Final Draft, Fountain, Celtx, format for screenplay/tv sitcom/stage play, instant page size change for our friends across the pond, and all the features you’d expect from a major player in the screenwriting software space.